Gareth Ernst’s work focuses on the intimate and fleeting, on mortality, desire, surveillance, and masculinity. Like the writings of Jean Genet, Gareth Ernst’s paintings, performances, drawings and videos are illicit love letters. They deal with the secret and the underground, touching on the pornographic and the criminal. They are rapid, urgent and complete, revealing secret Worlds parallel to our own.
His studies of the human form are uncompromising and direct. Gareth’s work disrupts the tradition of idealising the male form, and instead uses it as a vehicle for exploring the themes of power, vulnerability and innocence. He often achieves this through unorthodox pop culture inclusions and juxtapositions with medieval memento mori symbols—Darth Vader masks, leaked police surveillance videos, stuffed Pokémon dolls and even nibbling mice dress his works. For his audience, these juxtapositions are destabilising and contradictory, creating tension with the erotic charge of the subject’s exposure.
Porsche Herbert Funk
Gareth has completed his Masters of Fine Arts degree in Painting in at the National Art School in Sydney, Australia
Photo is by Garth Knight taken 6/8/19 in Gareth's studio in Sydney. The work is 3m x 3m of figures dancing and playing and battling. And its made of chalk , human cremation ash and human bone.